American Career
Bispham made his American debut, once again in Wagner, at the Metropolitan Opera in New York City on November 18, 1896; that night he sang the role of Sixtus Beckmesser in Die Meistersinger von Nürnberg. He remained with the company until 1903, singing mainly Wagnerian roles; he also appeared in the American premieres of Ignace Paderewski's Manru and Ethel Smyth's Der Wald. Bispham was influential in establishing the career of Carrie Jacobs-Bond as in 1901 he gave a recital exclusively featuring her songs in Chicago's Studebaker Theatre. After 1903 Bispham's operatic appearances were few, and he devoted most of his time to recitals, with which he had much success. He made a point of singing English versions of songs by such composers as Ludwig van Beethoven, Franz Schubert, and Robert Schumann.
In 1916 he appeared in an English-language version of Wolfgang Amadeus Mozart's Der Schauspieldirektor in New York. The performance was such a success that it led to the formation of the Society of American Singers; the company, with Bispham's inspiration, gave three seasons of light operas in English. Bispham's commitment to opera in English also led, after his death, to the creation of the Bispham Memorial Medal Award, to be awarded to operas in English by American composers. He was a 'strong' advocate for performing vocal music in the audience's language.
He was a close personal friend of American soprano Lillian Nordica, with whom he travelled to Australia on her last tour before her death. He was also a frequent professional colleague of both De Reszke brothers (Jean and Edouard), Olive Fremstad, Ernestine Schumann-Heink and Dame Clara Butt, among singers, and Hans Richter, Arthur Nikisch, Felix Mottl, Anton Seidl and Walter Damrosch, among conductors. Damrosch's setting of Rudyard Kipling's "Danny Deever", as sung by Bispham, became a favorite of President Theodore Roosevelt.
Bispham was the first singer to introduce Brahms's Four Serious Songs and Magelone Lieder to American audiences in the 1896-97 concert season. Bispham also sang Horatio Parker's oratorio, Hora Novissima, in 1897 (with Johanna Gadski, Gertrude May Stein, and Evan Williams as the other soloists). Upon his immediate return to Great Britain, he provided a copy of the score to Hans Richter, which led to the premiere of the piece in Worcester, England, and the Festival of the Three Choirs.
In 1908, he was awarded national honorary membership in Phi Mu Alpha Sinfonia.
When Jacobs-Bond published "A Perfect Day" in 1910 she added the header "As sung by Mr. David Bispham" above the title (the header appears on p. 3 of the sheet music). Jacobs-Bond wrote "A Perfect Day" (q.v.) in 1909 and first published it in 1910.
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