Style
David tended to favor a more aggressive style of fighting. For example, when he was choosing a bird morph, he chose a golden eagle because it was the largest and most powerful bird that Cassie had available at the clinic, despite the other Animorphs advising him that a smaller bird would be more agile and useful in flight. His main battle morph was a lion, which surpassed Jake's tiger in terms of combat ability and had the additional advantage that the lion's mane protected him from attempts to attack his vulnerable neck.
When David turned against the Animorphs, his morphs came in handy. David first killed a red-tailed hawk (mistaking it for Tobias, when it was really an innocent red-tail) while in golden eagle morph. His lion morph gave him an advantage against Jake's tiger when they battled in the mall. David also morphed an orca to battle the Animorphs; the Animorphs morphed into dolphins to both invade and retreat, and the orca gave David a massive advantage, although Cassie was able to use her old humpback whale morph to drive him off. A rattlesnake gave him the perfect morph to not only spy on the Animorphs, but threaten them while they were in smaller, more vulnerable morphs.
David also morphed other people without their permission, in violation of the Animorphs code of conduct, to ask for permission first. He acquired and morphed Marco and stunned Ax with a baseball bat (while Ax was in harrier morph). He later assumed the identity of Saddler, Jake and Rachel's cousin, and the Animorphs believed that he morphed Saddler because he no longer had a family.
In addition to all of the above morphs, David had the usual transportation and infiltration morphs that the other Animorphs had, such as a cockroach, a seagull, and a flea. He also acquired a random male Human-Controller for one infiltration mission. David was eventually trapped as a rat nothlit.
Read more about this topic: David (Animorphs)
Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)