Style
David tended to favor a more aggressive style of fighting. For example, when he was choosing a bird morph, he chose a golden eagle because it was the largest and most powerful bird that Cassie had available at the clinic, despite the other Animorphs advising him that a smaller bird would be more agile and useful in flight. His main battle morph was a lion, which surpassed Jake's tiger in terms of combat ability and had the additional advantage that the lion's mane protected him from attempts to attack his vulnerable neck.
When David turned against the Animorphs, his morphs came in handy. David first killed a red-tailed hawk (mistaking it for Tobias, when it was really an innocent red-tail) while in golden eagle morph. His lion morph gave him an advantage against Jake's tiger when they battled in the mall. David also morphed an orca to battle the Animorphs; the Animorphs morphed into dolphins to both invade and retreat, and the orca gave David a massive advantage, although Cassie was able to use her old humpback whale morph to drive him off. A rattlesnake gave him the perfect morph to not only spy on the Animorphs, but threaten them while they were in smaller, more vulnerable morphs.
David also morphed other people without their permission, in violation of the Animorphs code of conduct, to ask for permission first. He acquired and morphed Marco and stunned Ax with a baseball bat (while Ax was in harrier morph). He later assumed the identity of Saddler, Jake and Rachel's cousin, and the Animorphs believed that he morphed Saddler because he no longer had a family.
In addition to all of the above morphs, David had the usual transportation and infiltration morphs that the other Animorphs had, such as a cockroach, a seagull, and a flea. He also acquired a random male Human-Controller for one infiltration mission. David was eventually trapped as a rat nothlit.
Read more about this topic: David (Animorphs)
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.”
—Henry David Thoreau (1817–1862)