Career
Adjmi's play The Evildoers was developed at the Sundance Institute and the Royal Court Theatre in London. It premiered in January 2008 at the Yale Repertory Theatre. Variety called it "an anxiety attack of a play" and, of Adjmi, noted that he is "clearly a writer with a distinct voice, ambition and style." His play Stunning opened a month later at Woolly Mammoth Theatre Company in Washington DC where it was selected as one of the top ten plays of the year by The Washington Post and was published in American Theatre magazine. Stunning premiered in New York at Lincoln Center Theater in June 2009 where it played an extended run to sold-out houses. Adjmi's play Marie Antoinette was developed at the Goodman Theatre's New Stages Series and the Sundance Institute's Residency at the Public Theatre. It will premiere in a coproduction between the American Repertory Theater and Yale Repertory Theatre in Fall 2012. His play "3C" premieres at Rattlestick Playwrights Theatre in June 2012. His monologue Elective Affinities was commissioned by the Royal Court Theatre and later premiered at the Royal Shakespeare Company in the United Kingdom. In November, 2011 it received its U.S. Premiere at Soho Repertory Theatre, featuring Tony Award winning actress Zoe Caldwell, and directed by OBIE winner Sarah Benson. The New Yorker recently named Adjmi at one of the Top Ten in Culture for 2011, and described him as an artist who is part of "a new trend in the American theatre."
Other plays include Strange Attractors, Caligula and 3C. Adjmi is the recipient of numerous awards for his work, including the Helen Merrill Award, the Marian Seldes-Garson Kanin Fellowship, and McKnight and Jerome Fellowships from The Playwrights' Center. A collection of his work, Stunning and Other Plays, will be published by Theatre Communications Group in 2011, and Adjmi is currently at work on a memoir for HarperCollins.
Read more about this topic: David Adjmi
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“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
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