Dave Simpson (writer) - Success in The Industry

Success in The Industry

His adaptation of The Railway Children is constantly performed by reps and amateurs and the Birmingham Rep produced a twenty five week nationwide tour. His other stage productions include Single Sex for the Queen’s Theatre in Hornchurch, Perfect Partners for the Bristol Old Vic and his comedy, Girls’ Night Out, a hugely successful play which toured for three years and had a ten week run in the West End in 1998.

He was also commissioned to write the screenplay for Girls’ Night Out for Jeffrey Taylor of StageScreen Productions and this is due to go into production early next year. His other films include Love Ties, which received development money from the MEDIA programme of the European Union, Raving Beauties and Losing It, optioned by Neil Peplow for Insider Films. His television credits include Starting Out (1980), Coronation Street, The Bill, and for five years he was a writer on Emmerdale. His six-part comedy drama, Perfect Partners, has been optioned by Kay Mellor’s company, Rollem Productions.

Read more about this topic:  Dave Simpson (writer)

Famous quotes containing the words success in, success and/or industry:

    Woman’s success in lifting men out of their way of life nearly resembling that of the beasts—who merely hunted and fished for food, who found shelter where they could in jungles, in trees, and caves—was a civilizing triumph.
    Mary Ritter Beard (1876–1958)

    The heroes of the world community are not those who withdraw when difficulties ensue, not those who can envision neither the prospect of success nor the consequence of failure—but those who stand the heat of battle, the fight for world peace through the United Nations.
    Hubert H. Humphrey (1911–1978)

    I have never yet spoken from a public platform about women in industry that someone has not said, “But things are far better than they used to be.” I confess to impatience with persons who are satisfied with a dangerously slow tempo of progress for half of society in an age which requires a much faster tempo than in the days that “used to be.” Let us use what might be instead of what has been as our yardstick!
    Mary Barnett Gilson (1877–?)