Reception
16.38 million American viewers tuned into this episode. Reviews were mixed. Scott Brown of Entertainment Weekly praised Jorge Garcia's and Michael Emerson's performances, and said that the episode made the island "feel dangerous again". Ryan J. Budke of TV Squad felt that the B-story in the hatch was more interesting than Hurley's scenes, and considered "Dave" depressing, in opposition to the other "so light-hearted" Hurley-centered episodes. IGN's Chris Carabott gave the episode a 7 out of 10, considering it entertaining even if it "doesn't really impact the series as a whole", but the website later ranked "Dave" as the 9th worst Lost episode ever, describing it as meaningless and saying the flashback "felt pretty extraneous". New York magazine listed "Dave" sixth in a "Twenty Most Pointless Episodes of Lost" list, considering that "using an episode to disprove a theory that wasn’t so prevalent was a waste of time". On the other hand, the Los Angeles Times ranked the episode as the 30th best of the series, describing it as "perhaps the most misunderstood episode of Lost ever", saying that Dave not being real was meant to be a twist, but just "the biggest expression of just how messed up Hurley was before he found the island".
Read more about this topic: Dave (Lost)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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