Darwinian Literary Studies - Distinguishing Literary Darwinism

Distinguishing Literary Darwinism

Cosmic Evolutionism and Evolutionary Analogism: Literary Theorists who would call themselves “literary Darwinists” or claim some close alignment with the literary Darwinists share one central idea: that the adapted mind produces literature and that literature reflects the structure and character of the adapted mind. There are at least two other ways of integrating evolution into literary theory: cosmic evolutionism and evolutionary analogism. Cosmic evolutionists identify some universal process of development or progress and identify literary structures as microcosmic versions of that process. Proponents of cosmic evolution include Frederick Turner, Alex Argyros, and Richard Cureton. Evolutionary analogists take the process of Darwinian evolution—blind variation and selective retention—as a widely applicable model for all development. The psychologist Donald Campbell advances the idea that all intellectual creativity can be conceived as a form of random variation and selective retention. Rabkin and Simon offer an instance in literary study. They argue that cultural creations “evolve in the same way as do biological organisms, that is, as complex adaptive systems that succeed or fail according to their fitness to their environment.” Other critics or theorists who have some affiliation with evolutionary biology but who would not identify themselves as literary Darwinists include William Benzon (Beethoven's Anvil) and William Flesch (Comeuppance).

Cognitive Rhetoric: Practitioners of "cognitive rhetoric” or cognitive poetics affiliate themselves with certain language-centered areas of cognitive psychology. The chief theorists in this school argue that language is based in metaphors, and they claim that metaphors are themselves rooted in biology or the body, but they do not argue that human nature consists in a highly structured set of motivational and cognitive dispositions that have evolved through an adaptive process regulated by natural selection. Cognitive rhetoricians are generally more anxious than literary Darwinists to associate themselves with postmodern theories of “discourse,” but some cognitive rhetoricians make gestures toward evolutionary psychology, and some critics closely affiliated with evolutionary psychology have found common ground with the cognitive rhetoricians. The seminal authorities in cognitive rhetoric are the language philosophers Mark Johnson and George Lakoff. The most prominent literary theorist in the field is Mark Turner. Other literary scholars associated with cognitive rhetoric include Mary Thomas Crane, F. Elizabeth Hart, Tony Jackson, Alan Richardson, Ellen Spolsky, Francis Steen, and Lisa Zunshine.