Dark Sun - Novels

Novels

  • Prism Pentad - Troy Denning
    1. The Verdant Passage (October 1991), (ISBN 1-56076-121-0)
    2. The Crimson Legion (April 1992), (ISBN 1-56076-260-8)
    3. The Amber Enchantress (October 1992), (ISBN 1-56076-236-5)
    4. The Obsidian Oracle (June 1993), (ISBN 1-56076-603-4)
    5. The Cerulean Storm (September 1993), (ISBN 1-56076-642-5)
  • Tribe of One - Simon Hawke
    1. The Outcast (November 1993), (ISBN 1-56076-676-X)
    2. The Seeker (April 1994), (ISBN 1-56076-701-4)
    3. The Nomad (October 1994), (ISBN 1-56076-702-2)
  • Chronicles of Athas - Various Authors
    1. The Brazen Gambit (July 1994), by Lynn Abbey (ISBN 1-56076-872-X)
    2. The Darkness Before the Dawn (February 1995), by Ryan Hughes (ISBN 0-7869-0104-7)
    3. The Broken Blade (May 1995), by Simon Hawke (ISBN 0-7869-0137-3)
    4. Cinnabar Shadows (July 1995), by Lynn Abbey (ISBN 0-7869-0181-0)
    5. The Rise & Fall of a Dragon King (April 1996), by Lynn Abbey (ISBN 0-7869-0476-3)
  • New Fiction (2010/11) - Various Authors
    1. City Under the Sand (October 2010), by Jeff Mariotte (ISBN 978-0-7869-5623-4)
    2. Under the Crimson Sun (June 2011), by Keith R.A. DeCandido (ISBN 978-0-7869-5797-2)
    3. Death Mark (December 2011), by Robert J. Schwalb (ISBN 978-0786958405)

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Famous quotes containing the word novels:

    “The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
    —Doris Lessing (b. 1919)

    “Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
    —Annie Dillard (b. 1945)

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)