Dark Sun - Novels

Novels

  • Prism Pentad - Troy Denning
    1. The Verdant Passage (October 1991), (ISBN 1-56076-121-0)
    2. The Crimson Legion (April 1992), (ISBN 1-56076-260-8)
    3. The Amber Enchantress (October 1992), (ISBN 1-56076-236-5)
    4. The Obsidian Oracle (June 1993), (ISBN 1-56076-603-4)
    5. The Cerulean Storm (September 1993), (ISBN 1-56076-642-5)
  • Tribe of One - Simon Hawke
    1. The Outcast (November 1993), (ISBN 1-56076-676-X)
    2. The Seeker (April 1994), (ISBN 1-56076-701-4)
    3. The Nomad (October 1994), (ISBN 1-56076-702-2)
  • Chronicles of Athas - Various Authors
    1. The Brazen Gambit (July 1994), by Lynn Abbey (ISBN 1-56076-872-X)
    2. The Darkness Before the Dawn (February 1995), by Ryan Hughes (ISBN 0-7869-0104-7)
    3. The Broken Blade (May 1995), by Simon Hawke (ISBN 0-7869-0137-3)
    4. Cinnabar Shadows (July 1995), by Lynn Abbey (ISBN 0-7869-0181-0)
    5. The Rise & Fall of a Dragon King (April 1996), by Lynn Abbey (ISBN 0-7869-0476-3)
  • New Fiction (2010/11) - Various Authors
    1. City Under the Sand (October 2010), by Jeff Mariotte (ISBN 978-0-7869-5623-4)
    2. Under the Crimson Sun (June 2011), by Keith R.A. DeCandido (ISBN 978-0-7869-5797-2)
    3. Death Mark (December 2011), by Robert J. Schwalb (ISBN 978-0786958405)

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Famous quotes containing the word novels:

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    “Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
    —Vladimir Nabokov (1899–1977)

    “Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States—first, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
    —H.L. (Henry Lewis)