Danzig 4p - Reception

Reception

  • Allmusic - "Danzig's experiments with using texture and atmosphere to evoke their trademark mood of darkness and evil come to the forefront on their fourth full-length album...the music here comes the closest to reflecting the darkness of Glenn Danzig's lyrics. Some, however, may miss their more energetic earlier albums."
  • College Music Journal - "Maintaining a mysterious, dark and primal attitude seems to come easy to Danzig, as the group proves itself once again on Danzig 4. Danzig 4 is definitely not for the meek."
  • Q - "A little more diversity and a significant tightening up of the songwriting quality has resulted in a dark, moody, and at times powerfully evocative album."
  • Request Magazine - "The brooding melancholy of 4 never lets up, aided by the stripped-down coproduction of Rick Rubin. The guitar and vocal distortion adds a psychedelic otherworldly touch while bringing the music back to the rawness of Danzig's garage-punk roots. A Danzig album is always fascinating because the band sounds like no other in hard rock today."

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Famous quotes containing the word reception:

    “Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
    —Jonathan Swift (1667–1745)

    “To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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    “I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
    —Gerald R. Ford (b. 1913)