Career
At the age of 18 and in his final year in high school, Barcelona was already playing music with trombonist, singer, and bandleader Trummy Young. Barcelona was a self-taught percussionist. Young and Barcelona met in the mid-1940s. Danny Barcelona was later introduced to Louis Armstrong in 1956 by Young. Barcelona became Armstrong's drummer for 15 years. A native Hawaiian, Barcelona joined Young's Hawaii All-Stars in the early 1950s, and then later assumed leadership of the said band - a sextet known as the Hawaiian Dixieland All-Stars - when Young himself left to join Louis Armstrong’s combo in 1952. Barcelona toured around the Hawaiian Islands, Japan and the rest of the Far East. In the fall of 1957, Barcelona moved to New York City. Barcelona, again through Trummy Young's recommendation, formally joined Armstrong's All-Stars band in February 1958 to replace retiring drummer Barrett Deems and to record jazz music with Armstrong for more than 130 times. Barcelona was only 27 years old when he was introduced by Young to Armstrong. Barcelona's recording career with Armstrong included the jazz music hits "Hello, Dolly!" (1964) and "What a Wonderful World" (1968). With Armstrong and Young, Barcelona, traveled the world which included trips to Denmark, Germany and Rhodesia, Africa. Barcelona was described by T. Dennis Brown in The New Grove Dictionary of Jazz as a drummer "characterized by extensive use of the ride cymbal, crisp, clean fills and breaks, and solos that exploit asymmetrical phrasing". After Armstrong's illness in 1971 and his death on July 6 of the same year, Barcelona returned to Hawaii and became a permanent performer at the Hilton Hawaiian Village Hotel to play with Bernie Halmann and Melveen Leed. He also worked for many years at Harry's Music Store and the Easy Music Center. In 1979, Barcelona returned to the mainland and settled with his family in Monterey Park, California.
Read more about this topic: Danny Barcelona
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)