Daniel David Moses - Works

Works

  • Delicate Bodies (blew ointment press) – 1980
  • The White Line – 1988
  • Coyote City: A Play in Two Acts – 1990 (nominated for a Governor General's Award)
  • The Dreaming Beauty – 1990 – (won 1990 Theatre Canada's National Playwrighting Competition)
  • Almighty Voice and His Wife – 1992
  • The Moon and Dead Indians – 1994 – (won 1994 Du Maurier One Act Playwrighting Competition)
  • The Indian Medicine Shows – 1996 – (won 1996 James Buller Award for Aboriginal Theatre Excellence – Playwight of the Year)
  • Big Buck City – 1998
  • Brébeuf's Ghost – 2000
  • Sixteen Jesuses – 2000
  • City of Shadows: Necropolite! – 2000
  • Songs of Love and Medicine – 2005
  • Pursued by a Bear: Talks, Monologues and Tales – 2005

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    The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.
    —G.C. (Georg Christoph)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.
    Johann Wolfgang Von Goethe (1749–1832)