Arrest
Camargo was arrested by two policemen in Quito on 26 February 1986 only a few minutes after he had murdered a 9-year-old girl named Elizabeth. The policemen were on patrol and approached him at the height of the avenue Los Granados, thinking that he was acting suspicious. They were surprised to find that he was carrying with him a bag containing the bloody clothes of his latest victim, and a copy of "Crime and Punishment" by Dostoyevsky. He was taken into custody and later moved to Guayaquil for identification. When he was arrested he gave a false name, Manuel Bulgarin Solis, but he was later identified by one of his rape victims who escaped.
Daniel Camargo very calmly confessed to killing 71 girls in Ecuador since escaping from the Colombian prison. He led authorities to the dumping grounds of those victims whose bodies had not yet been recovered. The bodies had been dismembered. While he told the Ecuadorean authorities of the locations of the bodies and how the sadistic crimes were committed, he showed no feelings of remorse. After raping his victims, he had hacked, slashed and crushed the girls with a machete. He gave a cynical explanation for choosing children. He wanted virgins "because they cried"; this apparently gave him greater satisfaction. According to Camargo, he killed because he wanted revenge on woman's unfaithfulness. He hated them for not being what he believed women were supposed to be. His victims were all virgins.
Read more about this topic: Daniel Camargo Barbosa
Famous quotes containing the word arrest:
“One does not arrest Voltaire.”
—Charles De Gaulle (1890–1970)
“An unjust law is itself a species of violence. Arrest for its breach is more so.”
—Mohandas K. Gandhi (1869–1948)
“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.”
—William Faulkner (1897–1962)