Daniel Buren - Work

Work

Sometimes classified as an abstract minimalist Buren is known best for using regular, contrasting maxi stripes to integrate the visual surface and architectural space, notably historical, landmark architecture.

Among his chief concerns is the ‘scene of production’ as a way of presenting art and highlighting facture (the process of ‘making’ rather than for example, mimesis or representation of anything but the work itself). The work is site specific installation, having a relation to its setting in contrast to prevailing ideas of a work of art standing alone.

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Famous quotes containing the word work:

    Auld Nature swears, the lovely Dears
    Her noblest work she classes, O:
    Her prentice han’ she try’d on man,
    An’ then she made the lasses, O.
    Robert Burns (1759–1796)

    If the heart beguiles itself in its choice [of a wife], and imagination will give excellencies which are not the portion of flesh and blood:Mwhen the dream is over, and we awake in the morning, it matters little whether ‘tis Rachael or Leah,—be the object what it will, as it must be on the earthly side ... of perfection,—it will fall short of the work of fancy, whose existence is in the clouds.
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    Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
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