Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Pitchfork Media | (7.7/10) |
| PopMatters | |
| Stylus | B− |
Reviews for the album were generally positive. Allmusic had nothing but the highest of praise for the album, saying "Each song is snappy, playful, and stylish, and that's what makes Dancing with Daggers work so well." They asserted that the songs have a rare originality, and said that Magenta Lane "lead the pack of new millennium girl groups" and "could very well be a modern day version of the Shangri-Las." Pitchfork and PopMatters both said that the album lacks a genuine show-stopper to compare to "The Constant Lover" from their debut EP, but that there are nonetheless plenty of standout moments. The reviewer for PopMatters also praised the album's exceptional brevity (less than a half hour long). Stylus Magazine were less enthusiastic, asserting that the album is essentially one or two outstanding pieces surrounded by similar sounding filler: "Dancing With Daggers could be re-released as “Wild Gardens,” its best song, repeated thirteen times and I’d hardly bat an eye."
Read more about this topic: Dancing With Daggers
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)