Dance Notators - Usage

Usage

The primary use of Dance notations is the preservation of classic dance documentation, analysis and reconstruction of choreography and dance forms or technical exercises. Many different forms of dance notation have been created but the two main systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Eshkol-Wachman Movement Notation and DanceWriting are also in use, but to a lesser extent.

Another purpose of dance notation is the documentation and analysis of dance in dance ethnology. Here the notation is not used to plan a new choreography but to document an existing dance. Dance notation systems developed for the description of European dance are often not applicable and not appropriate for the description of dances from other cultures, e.g. the polycentric dances of many African cultures, where the movement of the body through space is less important and a great deal of the movements takes place inside the body. Attempts have been made by ethnomusicologists and dance ethnologists to develop specific notation systems for such purposes.

Read more about this topic:  Dance Notators

Famous quotes containing the word usage:

    Pythagoras, Locke, Socrates—but pages
    Might be filled up, as vainly as before,
    With the sad usage of all sorts of sages,
    Who in his life-time, each was deemed a bore!
    The loftiest minds outrun their tardy ages.
    George Gordon Noel Byron (1788–1824)

    Girls who put out are tramps. Girls who don’t are ladies. This is, however, a rather archaic usage of the word. Should one of you boys happen upon a girl who doesn’t put out, do not jump to the conclusion that you have found a lady. What you have probably found is a lesbian.
    Fran Lebowitz (b. 1951)

    I am using it [the word ‘perceive’] here in such a way that to say of an object that it is perceived does not entail saying that it exists in any sense at all. And this is a perfectly correct and familiar usage of the word.
    —A.J. (Alfred Jules)