Folk and Tribal Dance Forms
Folk dances and plays in India retain significance rural areas as the expression of the daily work and rituals of village communities. These dances have their roots in religious and seasonal festivals that have become a background for such celebrations. They are mostly performed in groups.
Sanskrit literature of medieval times describes several forms of group dances such as Hallisaka, Rasaka, Dand Rasaka and Charchari. The Natya Shastra defines group dances of women as a preliminary dance performed in prelude to a drama.
Folk dances can be located according to the regions of their origin. Every state has its own folk dance forms like Garba, Gagari (dance), Ghodakhund in Gujarat, Kalbelia, Ghoomar, Rasiya in Rajasthan, Neyopa, Bacha Nagma in Jammu and Kashmir, Bhangra & Giddha in Punjab, Sambalpuri Dance in Western Orissa and likewise for each state and smaller regions in it.
Read more about this topic: Dance In India
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“Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have “really happened,” or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.”
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“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
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“An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.”
—Johan Huizinga (1872–1945)