Dale Eaglesham - Career

Career

Eaglesham has worked with DC Comics, Marvel, Dark Horse, and CrossGen, among others. He worked exclusively for DC Comics for several years, before returning to Marvel in early 2009. There, his high-profile work includes pencilling the Fantastic Four and Steve Rogers: Super-Soldier. He also worked on Incredible Hulk for a three-issue arc with writer Greg Pak.

On February 15, 2011, Marvel announced that it was bringing back Canadian superhero team Alpha Flight, with writers Fred Van Lente and Greg Pak as the writing team, and Eaglesham on pencils. Speaking about the project, the Canadian artist said "I'm pretty excited to build a Canadian superteam into a force in the mainstream...there's a lot of depth to these characters and a lot of potential. If there's anything different in my approach at all, it'll be an authenticity to the locales because this is where I live."

One notable feature of Eaglesham's work for the first two years of his return to Marvel was that his projects were uninked, in other words colored and shot directly from his finished pencils. His work on Fantastic Four and Steve Rogers: Super-Soldier also earned him the nickname "The Evolutionary Jack Kirby," referring to Eaglesham's ability to keep his art fresh and innovative while paying homage to classic comic book art.

Previous work for DC Comics included the acclaimed Villains United series, which was written by Gail Simone. He is also known for his work inaugurating Batman: Gotham Knights, as well as his two-year run on Green Lantern, which included the landmark issue #150 featuring Jim Lee’s new Kyle Rayner costume and the “Hate Crimes” story arc featured in the New York Times and on the Phil Donahue talk show. He wrapped up his award-winning run on Justice Society of America in December 2008, with his final issue released in April 2009.

Read more about this topic:  Dale Eaglesham

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)