Other Roles
Before The Golden Compass was released, Richards had already been cast as the lead in another film, The Secret of Moonacre, her second book-to-film adaption, in which she would play Maria Merryweather from the book 'The Little White Horse'. Principal photography took place between early October and late November 2007. The film was released February 2009.
In December 2008, Richards played April Johnson in Dustbin Baby, the BBC dramatisation of the Jacqueline Wilson novel of the same name. She said that April was a difficult character to play, as "she is a really different person to me. On the one hand, she does go through normal things that I can relate to, such as fighting with your parents or getting presents you don't like; but on the other, she has had such a hard life."
Richards has also been announced as appearing in a psychological thriller, Lovely to the Last and also in a film called Rain. Richards mentioned to The Times newspaper that she was proud of herself for her effort in keeping herself active within show business.
In April 2012 she appeared in the British indie feature The Fold in Bristol and Cornwall, playing Eloise, the daughter of an Anglican priest. The film is written by Poppy Cogan, winner of the Harpers/William Morris Short Script Award, and directed by John Jencks.
Richards has been cast in ITV thriller Lightfields alongside Jill Halfpenny and Kris Marshall. It's a supernatural five-part drama which follows on from the ITV drama Marchlands and tells the story of three families living in the same house with a ghost during different time periods.
Read more about this topic: Dakota Blue Richards, Career
Famous quotes containing the word roles:
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)