Daily Racing Form

The Daily Racing Form (DRF) is a tabloid newspaper founded in 1894 in Chicago, Illinois by Frank Brunell. The paper publishes the past performances of race horses as a statistical service for bettors on horse racing in the United States.

In cooperation with the National Thoroughbred Racing Association and the National Turf Writers Association, the Daily Racing Form selects the winners of the annual Eclipse Awards.

In 1922, the DRF publishing company was sold to Moses Annenberg's Triangle Publications, which would eventually be owned by Walter Annenberg. The Daily Racing Form currently is owned by Arlington Capital Partners (since late 2007), and is based at 708 3rd Avenue in New York City.

The DRF's publisher is Steven Crist, a former editor of the Harvard Lampoon and a reporter and columnist for the New York Times. Several DRF employees have included cartoonist Pierre Bellocq (aka: Peb), columnist Joe Hirsch, and longtime business manager Louis Iverson. Iverson reported to Annenberg for most of his tenure and was described as a manager who "threw nickels around like they were manhole covers".

The Daily Racing Form currently publishes 30 editions daily.

Famous quotes containing the words daily, racing and/or form:

    We have lost the art of living; and in the most important science of all, the science of daily life, the science of behaviour, we are complete ignoramuses. We have psychology instead.
    —D.H. (David Herbert)

    Upscale people are fixated with food simply because they are now able to eat so much of it without getting fat, and the reason they don’t get fat is that they maintain a profligate level of calorie expenditure. The very same people whose evenings begin with melted goat’s cheese ... get up at dawn to run, break for a mid-morning aerobics class, and watch the evening news while racing on a stationary bicycle.
    Barbara Ehrenreich (b. 1941)

    Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.
    William Barrett (b. 1913)