Development
Da Capo II was Circus' twenty-ninth game, but was the eleventh game developed by the development group Circus Northern who had also produced their second title Suika and their fourth title Da Capo. The game's production was headed by Tororo, president of Circus, who also worked on the game's music with Comet Nekono who worked on the game's background music. The scenario in the game was divided between five people who worked on the different stories for the heroines who include Kōta Takeuchi who mainly worked on Minatsu's and Anzu's stories, the director of the project Chihare Ameno who wrote most of Otome's and Yume's scenarios, Mochizuki JET who wrote Nanaka's and Koko's stories, Nonoka Maihama as a scenario assistant, and Mori no Me. Initial character design was mainly created by Natsuki Tanihara, but GotoP designed Sakura's pet dog Harimao. Using Tanihara's designs, five more artists in addition to Tanihara illustrated the characters and settings used in the game; these artists include Mochi Chinochi, Mitsumamu, Yuka Kayura, Eko, and Meikai. Tanihara designed Yume, Minatsu, and Sakura; Chinochi designed Nanaka, Koko, and the supporting cast; Mitsumamu designed Anzu; and Kayura designed Otome.
Read more about this topic: Da Capo II
Famous quotes containing the word development:
“Other nations have tried to check ... the fulfillment of our manifest destiny to overspread the continent allotted by Providence for the free development of our yearly multiplying millions.”
—John Louis O’Sullivan (1813–1895)
“This was the Eastham famous of late years for its camp- meetings, held in a grove near by, to which thousands flock from all parts of the Bay. We conjectured that the reason for the perhaps unusual, if not unhealthful development of the religious sentiment here, was the fact that a large portion of the population are women whose husbands and sons are either abroad on the sea, or else drowned, and there is nobody but they and the ministers left behind.”
—Henry David Thoreau (1817–1862)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)