History
The Cyprus College of Art was founded in 1969 by the Cypriot painter Stass Paraskos, and is the oldest art college on the Mediterranean island of Cyprus. It has two campuses, one in Lempa near Paphos and the other Larnaca.
The college was originally based in the town of Famagusta but, after the Turkish invasion of Cyprus in 1974, it was forced to move to the town of Kato Paphos. It remained there until 1985, when the Cyprus Ministry of Education granted it use of a former school building in the village of Lempa, four kilometres north of Paphos. The first programme offered by the college was the Cyprus Summer School, now renamed the Cyprus Summer Studio, which gave mainly British and Irish art students an opportunity to spend a period of time making art in Cyprus. In the early 1970s the college intended to launch a postgraduate fine art programme, but this was delayed by the Turkish invasion in 1974, and did not start until 1978.
In 2002 the College gained additional premises in Limassol and it used this as an opportunity to launch several undergraduate fine art programmes. This included foundation, adult education and degree courses in painting, sculpture, photography and printmaking. Almost all of the programmes taught at the College follow a British art education model, and several are validated in the United Kingdom by the British validation agency Ascentis. In 2007 the College's Limassol site was closed and teaching transferred to a new building in Larnaca, a city located on the south-east coast of Cyprus. The site at Lempa concentrates on postgraduate programmes and Larnaca on foundation and undergraduate programmes. Both sites are also used to house visiting artists from around the world.
In 2010 the College formed the Cornaro Institute, named after the last Venetian Queen of Cyprus Caterina Cornaro, to take over the College in Larnaca. This is likely to happen in 2011.
Read more about this topic: Cyprus College Of Art
Famous quotes containing the word history:
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)
“The history of his present majesty, is a history of unremitting injuries and usurpations ... all of which have in direct object the establishment of an absolute tyranny over these states. To prove this, let facts be submitted to a candid world, for the truth of which we pledge a faith yet unsullied by falsehood.”
—Thomas Jefferson (1743–1826)