Cygnus (constellation) - History and Mythology

History and Mythology

In Greek mythology, Cygnus has been identified with several different legendary swans. Zeus disguised himself as a swan to seduce Leda, Spartan king Tyndareus's wife, who gave birth to the Gemini, Helen of Troy and Clytemnestra; Orpheus was transformed into a swan after his murder, and was said to have been placed in the sky next to his lyre (Lyra); and the King Cycnus was transformed into a swan.

In Ovid's Metamorphoses, there are three people named Cygnus, all of whom are transformed into swans. Alongside Cycnus, noted above, he mentions a boy from Tempe who commits suicide when Phyllius refuses to give him a tamed bull that he demands, but is transformed into a swan and flies away. He also mentions a son of Neptune who is an invulnerable warrior in the Trojan War who is eventually defeated by Achilles, but Neptune saves him by transforming him into a swan.

Cygnus, together with other avian constellations near the summer solstice, Vultur cadens and Aquila, may be a significant part of the origin of the myth of the Stymphalian Birds, one of The Twelve Labours of Hercules.

Normally, Cygnus is depicted with Delta and Epsilon Cygni as its wings, Deneb as its tail, and Albireo as the tip of its beak.

Read more about this topic:  Cygnus (constellation)

Famous quotes containing the words history and, history and/or mythology:

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)

    The reverence for the Scriptures is an element of civilization, for thus has the history of the world been preserved, and is preserved.
    Ralph Waldo Emerson (1803–1882)

    Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.
    Germaine Greer (b. 1939)