Rules
Cut Spelling operates under three main substitution rules to transform traditional spellings into cut spellings:
- Letters irrelevant to pronunciation. This rule deletes most silent letters, except when these letters (such as "magic e") help indicate pronunciation. Omitting or including the wrong silent letters are common errors. Examples: peace → pece, except → exept, plaque → plaq, blood → blod, pitch → pich.
- Cutting unstressed vowels. English unstressed syllables are usually pronounced with the vowel schwa /ə/, which has no standard spelling, but can be represented by any vowel letter. Writing the wrong letter in these syllables is a common error (for example, the incorrect spelling seperate seems almost as common as the correct separate). Cut Spelling eliminates these vowel letters completely before approximants (/l/ and /r/) and nasals (/m/, /n/, and /ŋ/). In addition, some vowel letters are dropped in suffixes, reducing the confusion between -able and -ible. Examples: symbol → symbl, victim → victm, lemon → lemn, glamour/glamor → glamr, permanent → permnnt, waited → waitd, churches → churchs, warmest → warmst, edible → edbl.
- Simplifying doubled consonants. This rule helps with another of the most common spelling errors: failing to double letters (accommodate and committee are often misspelled) or introducing erroneously doubled letters. Cut Spelling does not eliminate all doubled letters: in some words (especially two-syllable words) the doubled consonant letter is needed to differentiate from another differently pronounced word (e.g., holly and holy). Examples: innate → inate, spell → spel.
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Famous quotes containing the word rules:
“Can rules or tutors educate
The semigod whom we await?
He must be musical,
Tremulous, impressional,
Alive to gentle influence
Of landscape and of sky
And tender to the spirit-touch
Of man’s or maiden’s eye.”
—Ralph Waldo Emerson (1803–1882)
“When I hear the hypercritical quarreling about grammar and style, the position of the particles, etc., etc., stretching or contracting every speaker to certain rules of theirs ... I see that they forget that the first requisite and rule is that expression shall be vital and natural, as much as the voice of a brute or an interjection: first of all, mother tongue; and last of all, artificial or father tongue. Essentially your truest poetic sentence is as free and lawless as a lamb’s bleat.”
—Henry David Thoreau (1817–1862)
“Retaliation is related to nature and instinct, not to law. Law, by definition, cannot obey the same rules as nature.”
—Albert Camus (1913–1960)