Curt Swan - Tributes

Tributes

Dennis O'Neil:

Swan was the best, a quiet man and not much noticed and consequently underrated because he never caused a fuss; he simply delivered anything an editor asked for, met any challenge and did it with the reliability of the tides.

Wallace Harrington:

When it came time for Warner Brothers to do a decent film of Superman, it was Swan's figure that Christopher Reeve emulated. It was that grace, that strength, that humanity that Swan brought to the character. When asked whether he had a 'model' for his Superman, he said that he was a combination of many things. Part Johnny Weismuller, part Raymond "Rip" Kirby and part George Reeves, 'although I didn't want him to look exactly like Reeves, even though I got a profile or two correct. . . . I drew him to look like a nice guy, someone you'd want on your side.' . . . When Clark looked at you and winked, it was as if he were letting you in on the big joke that no one in the story could see except you and him. Swan made Superman come to life for the reader.

Elliot S! Maggin:

We were both philosophical products of the message we spent a career delivering to the hero-worshippers of the world. We both believed in truth, justice and the American way: a personal torah. It was good finally to learn that we had so much in common when finally we gave each other the space to reveal it.

Alan Moore:

I'd like to have asked him how much identified with Superman, how much of himself he put in there. I feel that he probably did on some private level; that there was some sort of a moral strength that he aspired to, that he drew into those figures. Something almost indefinable, but some essence of himself.

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