Curse of Billy Penn - Origins of The Curse

Origins of The Curse

Atop Philadelphia City Hall stands a statue of William Penn, the city founder and original proprietor of the then-British colony of Pennsylvania (meaning "Penn's Woods"). For years, a "gentlemen's agreement" stated that the Philadelphia Art Commission would approve no building in the city which would rise above this statue. This ended in March 1987, when a modern steel-and-glass skyscraper, One Liberty Place, opened three blocks away. One Liberty Place is taller than City Hall by 397 feet (121 m), rising 945 feet (288 m) in height compared to the height of Penn's hat on City Hall, 547 feet (167 m). Its sister skyscraper, Two Liberty Place, at 848 ft (258 m), followed in 1990.

Philadelphia sports teams had enjoyed a run of success. Major League Baseball's Phillies won the 1980 World Series and the 1983 National League pennant; the National Hockey League's Flyers won back-to-back Stanley Cups in 1974 and 1975, and appeared in the finals in 1976, 1980, 1985, and 1987; the National Football League's Eagles appeared in Super Bowl XV following the 1980 season, losing to the Oakland Raiders; and the National Basketball Association's 76ers swept the 1983 NBA Finals, as well as making the finals in 1977, 1980, and 1982. Before 1980, the Phillies had appeared in only two other World Series, in 1915 and 1950, and the Eagles had won no NFC conference championships since the 1966 agreement that had created the Super Bowl, while the 76ers won NBA titles in both Philadelphia and in their previous incarnation, the Syracuse Nationals. Construction on One Liberty Place began in 1985, two years after the last championship season in Philadelphia.

In the 1980 season, all four teams reached the championship round of their respective leagues. Ultimately, only the Phillies would win a championship that year.

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    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
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    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

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