Culture of Uttar Pradesh - Dance and Music

Dance and Music

The state is home to a very ancient tradition in dance and music. During the eras of Guptas and Harsh Vardhan, Uttar Pradesh was a major centre for musical innovation. Swami Haridas was a great saint-musician who championed Hindustani Classical Music. Tansen, the great musician in Mughal Emperor Akbar's court, was a disciple of Swami Haridas. The ragas sung by Tansen were believed to be so powerful that they could bring rain, or light a fire, when recited.

Kathak, a classical dance form, involving gracefully coordinated movements of feet along with entire body, grew and flourished in Uttar Pradesh. Wajid Ali Shah, the last Nawab of Awadh, was a great patron and a passionate champion of Kathak. Today, the state is home to two prominent schools of this dance form, namely, Lucknow Gharana and Banaras Gharana.

In modern times, Uttar Pradesh has given to the world music legends like Naushad Ali, Talat Mehmood, Anup Jalota, Baba Sehgal, Shubha Mudgal, Ustad Bismillah Khan, Pandit Ravi Shankar, Kishan Maharaj, Pandit Vikash Maharaj, Hari Prasad Chaurasia, Gopal Shankar Misra, Siddheshwari Devi, Girija Devi etc. The legendary Ghazal singer Begum Akhtar belonged to Uttar Pradesh; she took this aspect of music to amazing heights. "Ae Mohabbat Tere anjaam pe rona aaya" is one of her best musical renditions of all times. It is also, incidentally, the birthplace of British pop legend Sir Cliff Richard.

The region's folk heritage includes songs called rasiya (known and especially popular in Braj), which celebrate the divine love of Radha and Shri Krishna. These songs are accompanied by large drums known as bumb and are performed at many festivals. Other folk dances or folk theater forms include:

  • Raslila
  • Swang
  • Ramlila, which includes enacting the entire Ramayana
  • Nautanki
  • Naqal - (mimicry)
  • Khayal
  • Qawwali

The Bhatkhande Music Institute is situated in Lucknow.

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    Frank W. Wead (1895?–1947)

    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.
    Robert Benchley (1889–1945)

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    Mark Twain [Samuel Langhorne Clemens] (1835–1910)