Cinema
The art of motion picture making within the nation of Spain or by Spanish filmmakers abroad is collectively known as "Spanish cinema".
In recent years, Spanish cinema has achieved high marks of recognition as a result of its creative and technical excellence. In the long history of Spanish cinema, the great filmmaker Luis Buñuel was the first to achieve universal recognition, followed by Pedro Almodóvar in the 1980s. Spanish cinema has also seen international success over the years with films by directors like Segundo de Chomón, Florián Rey, Luis García Berlanga, Carlos Saura, Julio Medem and Alejandro Amenábar. Woody Allen, upon receiving the prestigious Prince of Asturias Award in 2002 in Oviedo remarked: "when I left New York, the most exciting film in the city at the time was Spanish, Pedro Almodovar's one. I hope that Europeans will continue to lead the way in filmmaking because at the moment not much is coming from the United States."
Non-directors have obtained less international notability. Only the cinematographer Néstor Almendros, the actress Penélope Cruz and the actors Fernando Rey, Antonio Banderas, Javier Bardem and Fernando Fernán Gómez have obtained some recognition outside of Spain. Mexican actor Gael García Bernal has also recently received international notoriety in films by Spanish directors.
Today, only 10 to 20% of box office receipts in Spain are generated by domestic films, a situation that repeats itself in many nations of Europe and the Americas. The Spanish government has therefore implemented various measures aimed at supporting local film production and movie theaters, which include the assurance of funding from the main national television stations. The trend is being reversed with the recent screening of mega productions such as the €30 million film Alatriste (starring Viggo Mortensen), the Academy Award winning Spanish/Mexican film Pan's Labyrinth (El Laberinto del Fauno), Volver (starring Penélope Cruz), and Los Borgia (€10 million), all of them hit blockbusters in Spain.
Another aspect of Spanish cinema mostly unknown to the general public is the appearance of English-language Spanish films such as The Machinist (starring Christian Bale) The Others (starring Nicole Kidman), Basic Instinct 2 (starring Sharon Stone), and Milos Forman’s Goya's Ghosts (starring Javier Bardem and Natalie Portman). All of these films were produced by Spanish firms. This attests to the dynamism and creativity of Spanish directors and producers.
- The following category is a list of percentages of attendance and gross revenues.
| Year | Total number of spectators (millions) | Spectators of Spanish cinema (millions) | Percentage | Film | Spectators (millions) | Percentage over the total of Spanish cinema |
|---|---|---|---|---|---|---|
| 1996 | 96.1 | 10.4 | 10.8% | Two Much (Fernando Trueba) |
2.1 | 20.2% |
| 1997 | 107.1 | 13.9 | 14.9% | Airbag (Juanma Bajo Ulloa) |
2.1 | 14.1% |
| 1998 | 119.8 | 14.1 | 13.3% | Torrente, the stupid arm of the law (Santiago Segura) |
3 | 21.3% |
| 1999 | 131.3 | 18.1 | 16% | All About My Mother (Pedro Almodóvar) |
2.5 | 13.8% |
| 2000 | 135.3 | 13.4 | 11% | Commonwealth (Álex de la Iglesia) |
1.6 | 11.9% |
| 2001 | 146.8 | 26.2 | 17.9% | The Others (Alejandro Amenábar) |
6.2 | 23.8% |
| 2002 | 140.7 | 19.0 | 13.5% | The Other Side of the Bed (Emilio Martínez Lázaro) |
2.7 | 14.3% |
| 2003 | 137.5 | 21.7 | 15.8% | Mortadelo & Filemón: The Big Adventure (Javier Fesser) |
5.0 | 22.9% |
| 2004 | 143.9 | 19.3 | 13.4% | The Sea Inside (Alejandro Amenábar) |
4.0 | 20.7% |
| 2005 | 126.0 | 21.0 | 16.7% | Torrente 3: The Protector (Santiago Segura) |
3.6 | 16.9% |
| 2006 (provisional) | 67.8 | 6.3 | 9.3% | Volver (Pedro Almodóvar) |
1.8 | 28.6% |
Read more about this topic: Culture Of Spain
Famous quotes containing the word cinema:
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.”
—Frederico Fellini (1920–1993)
“The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.”
—George Bernard Shaw (1856–1950)
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—Jean-Luc Godard (b. 1930)