Art
Polish art has always reflected European trends while maintaining its unique character. The Kraków school of Historicist painting developed by Jan Matejko produced monumental portrayals of customs and significant events in Polish history. Stanisław Witkiewicz was an ardent supporter of Realism in Polish art, its main representative being Jozef Chełmoński. The Młoda Polska (Young Poland) movement witnessed the birth of modern Polish art, and engaged in a great deal of formal experimentation led by Jacek Malczewski (Symbolism), Stanisław Wyspiański, Józef Mehoffer, and a group of Polish Impressionists. Artists of the twentieth-century Avant-Garde represented various schools and trends. The art of Tadeusz Makowski was influenced by Cubism; while Władysław Strzemiński and Henryk Stażewski worked within the Constructivist idiom. Distinguished contemporary artists include Roman Opałka, Leon Tarasewicz, Jerzy Nowosielski, Wojciech Siudmak, Mirosław Bałka, and Katarzyna Kozyra and Zbigniew Wąsiel in the younger generation. The most celebrated Polish sculptors include Xawery Dunikowski, Katarzyna Kobro, Alina Szapocznikow and Magdalena Abakanowicz. Since the inter-war years, Polish art and documentary photography has enjoyed worldwide recognition. In the sixties the Polish Poster School was formed, with Henryk Tomaszewski and Waldemar Świerzy at its head.
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Famous quotes containing the word art:
“Magic is akin to science in that it always has a definite aim intimately associated with human instincts, needs, and pursuits. The magic art is directed towards the attainment of practical aims. Like other arts and crafts, it is also governed by a theory, by a system of principles which dictate the manner in which the act has to be performed in order to be effective.”
—Bronislaw Malinowski (1984–1942)
“The finest works of art are those in which there is the least matter. The closer expression comes to thought, the more the word clings to the idea and disappears, the more beautiful the work of art.”
—Gustave Flaubert (1821–1880)
“To define it rudely but not inaptly, engineering ... is the art of doing that well with one dollar, which any bungler can do with two after a fashion.”
—Arthur Mellen Wellington (1847–1895)