Culture of Germany - Music

Music

In the field of music, Germany claims some of the most renowned classical composers of the world including Bach, Mozart and Beethoven, who marked the transition between the Classical and Romantic eras in Western classical music. Other composers of the Austro-German tradition who achieved international fame include Brahms, Wagner, Haydn, Schubert, Händel, Schumann, Liszt, Mendelssohn Bartholdy, Johann Strauss II, Bruckner, Mahler, Telemann, Richard Strauss, Schoenberg, Orff, and most recently, Henze, Lachenmann, and Stockhausen.

As of 2006, Germany is the fourth largest music market in the world, has exerted a strong influence on techno and rock music, and pioneered trance music. Artists such as Herbert Grönemeyer, Scorpions, Rammstein, Nena, Xavier Naidoo, Dieter Bohlen, Tokio Hotel and Modern Talking have enjoyed international fame. German musicians and, particularly, the pioneering bands Tangerine Dream and Kraftwerk have also contributed to the development of electronic music.

Germany hosts many large rock music festivals annually. The Rock am Ring festival is the largest music festival in Germany, and among the largest in the world. German artists also make up a large percentage of Industrial music acts, which is called Neue Deutsche Härte. Germany hosts some of the largest Goth scenes and festivals in the entire world, with events like Wave-Gotik-Treffen and M'era Luna Festival easily attracting up to 30,000 people.

Since about 1970, Germany has once again had a thriving popular culture, now increasingly being led by its new-old capital Berlin, and a self-confident music and art scene. Germany is also very well known for its many renowned opera houses, such as Semperoper, Komische Oper Berlin and Staatstheater am Gärtnerplatz. Richard Wagner has built the Bayreuth Festspielhaus.

One of the most famous composers in the film business is German Hans Zimmer.

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Famous quotes containing the word music:

    Morning work! By the blushes of Aurora and the music of Memnon, what should be man’s morning work in this world?
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    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
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