Film
Hundreds of feature films have been located in Georgia. By 2007, more than $4 billion had been generated for the state's economy by the film and television industry since the 1970s. Some of these films include Deliverance; Smokey and the Bandit; Driving Miss Daisy and Midnight in the Garden of Good and Evil. Due to the success of Deliverance, Jimmy Carter established a state film commission, now known as the Georgia Film, Video and Music Office, in 1973 to market Georgia as a shooting location for future projects. The commission has recruited more than 550 major projects to the state by 2007.
Many other films other than the ones listed above have been set in or have used Georgia as a background for their settings. One such film was Forrest Gump, which used a bench in Savannah, Georgia during the film. Fried Green Tomatoes, though set mostly in Alabama a small portion of the novel and film were set in Valdosta Georgia, was filmed in Juliette, Georgia in Monroe County, Georgia. A more recent film, Sweet Home Alabama, was filmed almost entirely in Crawfordville, Georgia.
Year Filmed | Project Title | Project Type | Location |
---|---|---|---|
1972 | Deliverance | Film | Tallulah Gorge, Clayton and Rabun County |
1976 | Smokey and the Bandit | Film | McDonough, Jonesboro and Lithonia |
1980 | Escape from New York City | Film | Atlanta |
1982 | The Big Chill | Film | Atlanta |
1986 | Mosquito Coast | Film | Cartersville and Rome |
1986 | Friday 13th: Jason Lives | Film | Covington |
1987 | School Daze | Film | Atlanta |
1989 | Driving Miss Daisy | Film | Atlanta |
1989 | Glory | Film | Savannah and Jekyll Island |
2010 | "The Last Song" | Film | Tybee Island |
Read more about this topic: Culture Of Georgia (U.S. State)
Famous quotes containing the word film:
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. Theyre obliged to overstate their own importance.”
—François Truffaut (19321984)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)