Television and Film
Baltimore has become a prime city for filming movies and television shows. Many movies were filmed in Baltimore, one notable one being ...And Justice for All (movie) which depicts an honest young attorney coming to grips with a corrupt legal system. Additionally, television shows such as NBC's Homicide: Life on the Street and HBO's The Wire and The Corner have also been set and filmed in the city.
Barry Levinson, a Baltimore native and filmmaker, made many Baltimore-based films, including: Diner, Avalon, Tin Men, and Liberty Heights.
Another Baltimore native and filmmaker, John Waters, makes subversive films that glamorize the less socially acceptable side of the city's culture. Many scenes from the 1972 cult classic film Pink Flamingos were shot in the city's Waverly and Hampden neighborhoods. Pink Flamingos was the most popular of Waters' cult films. In 1981, Waters released the more mainstream Polyester with "Odorama" and went on to make Cecil B. Demented, Cry-baby, Pecker, and Serial Mom.
To date, Hairspray, Waters' tribute to Buddy Deane Show-era Baltimore, has been his most successful commercial effort. He released Hairspray as a film in 1988. In 2002, Hairspray was produced as a stage musical. In 2007, a new version of Hairspray was released as a film. Soundtracks for both films and the musical have also proven popular. Waters is currently in the works of making a sequel to Hairspray.
In addition to works filmed in Baltimore, the city is also home to the Maryland Film Festival, an annual film and video festival of international scope that takes place each May, using the historic Charles Theatre as its anchor venue.
For a more comprehensive list, see Filmed in Baltimore.Read more about this topic: Culture Of Baltimore
Famous quotes containing the words television and/or film:
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)