Literature
The Greater Toronto Area is the centre of English Canadian literature, and a list of fiction set in Toronto reveals many titles by writers such as Margaret Atwood, Michael Ondaatje, Robertson Davies, M. G. Vassanji and Timothy Findley. Other prominent Toronto-based writers include Marshall McLuhan, Rohinton Mistry, Morley Callaghan, Michael Ignatieff, George Elliott Clarke and the late George Faludy and Jane Jacobs. Canada's mostly Toronto-based English-language publishing industry includes McClelland and Stewart and smaller firms like House of Anansi Press, Key Porter Books and Coach House Books. Since 1974 the Toronto Book Awards have honoured authors of books evocative of Toronto. PEN Canada is an activist group working since 1926 in defence of freedom of expression throughout the world. North America's largest literary festival, the annual International Festival of Authors, takes place each fall in Toronto.
Canada's main English-language national newspaper, The Globe and Mail, as well as the National Post and Canada's largest-circulating daily newspaper (Toronto Star) are based in Toronto, as are many other major magazines and periodicals.
Read more about this topic: Culture In Toronto
Famous quotes containing the word literature:
““If Steam has done nothing else, it has at least added a whole new Species to English Literature ... the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”
“And when we travel by electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)