Effect On Amateur Theatre
Cellier and Bridgeman wrote, in 1914, that prior to the creation of the Savoy operas, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan troupes in the 1880s licensed to perform the operas, professionals recognised that the amateur groups "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites." Cellier and Bridgeman attributed the rise in quality and reputation of the amateur groups largely to "the popularity of, and infectious craze for performing, the Gilbert and Sullivan operas". The National Operatic and Dramatic Association was founded in 1899. It reported, in 1914, that nearly 200 British amateur troupes were producing Gilbert and Sullivan operas that year. There continue to be hundreds of amateur groups or societies performing the Gilbert and Sullivan works worldwide.
Read more about this topic: Cultural Influence Of Gilbert And Sullivan
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