The cultural impact of Classical Greek homoeroticism is a part of the history of sexuality. Later cultures have articulated their own discourse about homosexuality through the use of historic terms and concepts, such as "Greek love". The metaphor of "Greek love" becomes most vivid historically in periods when the reception of classical antiquity is an important influence on dominant aesthetic or intellectual movements.
'Greece' as the historical memory of a treasured past was romanticised and idealised as a time and a culture when love between men was not only tolerated but actually encouraged, and expressed as the high ideal of same-sex camaraderie. … If tolerance and approval of male homosexuality had happened once — and in a culture so much admired and imitated by the eighteenth and nineteenth centuries — might it not be possible to replicate in modernity the antique homeland of the non-heteronormative?
In his essay "Greek Love," Alastair Blanshard asserts that "Contrasting attitudes toward Greek love is one of the defining and divisive issues in the homosexual rights movement."
Read more about Cultural Impact Of Classical Greek Homoeroticism: Historic Terms, Ancient Greek Background, Ancient Rome, Renaissance, Neoclassicism, English Romanticism, Victorian Era, 20th and 21st Centuries
Famous quotes containing the words cultural, impact, classical and/or greek:
“Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and superseded by elements of lower quality.”
—Johan Huizinga (1872–1945)
“As in political revolutions, so in paradigm choice—there is no standard higher than the assent of the relevant community. To discover how scientific revolutions are effected, we shall therefore have to examine not only the impact of nature and of logic, but also the techniques of persuasive argumentation effective within the quite special groups that constitute the community of scientists.”
—Thomas S. Kuhn (b. 1922)
“Several classical sayings that one likes to repeat had quite a different meaning from the ones later times attributed to them.”
—Johann Wolfgang Von Goethe (1749–1832)
“All that we call ideal in Greek or any other art, because to us it is false and visionary, was, to the makers of it, true and existent.”
—John Ruskin (1819–1900)