Cultural Heritage Management - Historic Preservation and Restoration

Historic Preservation and Restoration

See also Historic preservation, Conservation area, Building restoration

Preservation and restoration usually refers to architectural or engineering heritage assets such as heritage buildings or other structures and Heritage railways. The UK has a number of different forms of protection for buildings and structures, including listed buildings, conservation areas and Scheduled Ancient Monuments. In France a building or other structure can be protected as a Monument historique. Successful heritage management for a building generally requires that the building continues to be used, as disused buildings are likely to deteriorate quickly. If the purpose for which the building was originally constructed is no longer viable, then other uses, often requiring sympathetic modification must be found.

Heritage machinery, such as antique or vintage cars and heritage railways can best be understood and are best accessed and experienced by the public when they are in an operational condition. Moreover, the heritage skills associated with such heritage assets, such as driving a steam locomotive, can only be maintained if the machinery is used. Restoration to a working, if not pristine condition, and creation of exact working replicas are therefore part of the practice of heritage management.

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Famous quotes containing the words historic, preservation and/or restoration:

    It is, all in all, a historic error to believe that the master makes the school; the students make it!
    Robert Musil (1880–1942)

    There is something to be said for jealousy, because it only designs the preservation of some good which we either have or think we have a right to. But envy is a raging madness that cannot bear the wealth or fortune of others.
    François, Duc De La Rochefoucauld (1613–1680)

    The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
    Camille Paglia (b. 1947)