Cultural Depictions Of Lady Jane Grey
Royal claimant Lady Jane Grey has left an abiding impression in English literature and romance. The limited amount of material from which to construct a source-based biography of her has not stopped authors of all ages filling the gaps with the fruits of their imagination.
Read more about Cultural Depictions Of Lady Jane Grey: Pre-19th Century, 19th Century To Present, In Painting, In Opera, In Literature, In Film, Radio and Television
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“They keep such a dingdong about “supporting the Constitution.” One might imagine it was some miserable, decrepit old creature that was no longer able to totter on crutches but must be held on every side, and dragged along like a drunken loafer, on his road to the lock-up.”
—Jane Grey Swisshelm (1815–1884)
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“True Thomas lay on Huntlie bank;
A ferlie he spied wi’ his e’e;
And there he saw a lady bright,
Come riding down by the Eildon Tree.”
—Unknown. Thomas the Rhymer (l. 1–4)
“If the veil were withdrawn from the sanctuary of domestic life, and man could look upon the fear, the loathing, the detestations which his tyranny and reckless gratification of self has caused to take the place of confiding love, which placed a woman in his power, he would shudder at the hideous wrong of the present regulations of the domestic abode.”
—Lydia Jane Pierson, U.S. women’s rights activist and corresponding editor of The Woman’s Advocate. The Woman’s Advocate, represented in The Lily, pp. 117-8 (1855-1858 or 1860)
“A great black presence beats its wings in wrath.
Above the boneyard burn its golden eyes.
Some small grey fur is pulsing in its grip.”
—Anthony Hecht (b. 1923)