Cultural Depictions Of Lady Jane Grey
Royal claimant Lady Jane Grey has left an abiding impression in English literature and romance. The limited amount of material from which to construct a source-based biography of her has not stopped authors of all ages filling the gaps with the fruits of their imagination.
Read more about Cultural Depictions Of Lady Jane Grey: Pre-19th Century, 19th Century To Present, In Painting, In Opera, In Literature, In Film, Radio and Television
Famous quotes containing the words jane grey, cultural, depictions, lady, jane and/or grey:
“They keep such a dingdong about “supporting the Constitution.” One might imagine it was some miserable, decrepit old creature that was no longer able to totter on crutches but must be held on every side, and dragged along like a drunken loafer, on his road to the lock-up.”
—Jane Grey Swisshelm (1815–1884)
“The primary function of myth is to validate an existing social order. Myth enshrines conservative social values, raising tradition on a pedestal. It expresses and confirms, rather than explains or questions, the sources of cultural attitudes and values.... Because myth anchors the present in the past it is a sociological charter for a future society which is an exact replica of the present one.”
—Ann Oakley (b. 1944)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“For I could tell you a story which is true;
I know a lady with a terrible tongue,
Blear eyes fallen from blue,
All her perfections tarnished—and yet it is not long
Since she was lovelier than any of you.”
—John Crowe Ransom (1888–1974)
“If the veil were withdrawn from the sanctuary of domestic life, and man could look upon the fear, the loathing, the detestations which his tyranny and reckless gratification of self has caused to take the place of confiding love, which placed a woman in his power, he would shudder at the hideous wrong of the present regulations of the domestic abode.”
—Lydia Jane Pierson, U.S. women’s rights activist and corresponding editor of The Woman’s Advocate. The Woman’s Advocate, represented in The Lily, pp. 117-8 (1855-1858 or 1860)
“The good grey guardians of art
Patrol the halls on spongy shoes,
Impartially protective, though
Perhaps suspicious of Toulouse.”
—Richard Wilbur (b. 1921)