Sound
Cult of Luna's sound has progressed from early material being heavily doom metal influenced to one much less aggressive and more concerned with orchestration. Fans and critics have termed this sound post-metal. The band is considered to be at the forefront of the genre, along with contemporary proponents Neurosis and Isis.
Its songs are often long, slow, repetitive and crushing, heavy sections of distorted guitars often interspersed with orchestral interludes and extended, post-rock-esque forays. The group shuns conventional song structures, opting for a sound that evolves throughout a song, sometimes toward a climactic crescendo, instead of a verse-chorus-verse pattern. That style, incorporating sections of "light and dark" into their music, has led to comparisons with contemporaries such as Isis (with whom they have toured), Callisto and Pelican, as well as the significantly older Neurosis. Singer Klas Rydberg, however, has stated that decidedly Radiohead are an influence. Lately the band as well as their contemporaries have been heavily influenced by Mogwai, particularly the use of guitar delay and melodic guitar playing.
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Famous quotes containing the word sound:
“He’s made a harp of her breast-bane,
Whose sound wad melt a heart of stane.
He’s ta’en three locks o’ her yellow hair,
And wi’ them strung his harp sae rare.”
—Unknown. Binnorie; or, The Two Sisters (l. 41–44)
“We can say that the sound is the primary object of the act of hearing, and that the act of hearing itself is the secondary object.”
—Franz Clemens Brentano (1838–1917)
“Everywhere “good men” sound a retreat, and the word has gone forth to fall back on innocence. Fall forward rather on to whatever there is there.”
—Henry David Thoreau (1817–1862)