Cuban Literature - Children's Literature

Children's Literature

Literature written for children and young readers in Cuba started around the beginning of the 19th century. In the works of two poets, José Manuel Zequeira and José María Heredia, lyrical elements identified with this genre can be found, while Heredia’s El ruiseñor, el príncipe y el ayo was written completely for children.

Others children’s writers of the century include Cirilo Villaverde with El librito de los cuentos y las conversaviones (1847), Eusebio Guiteras Fonts with his reading books used as official texts in elementary education, and Francisco Javier Balmaceda with Fábulas morales (1861). However, in the 19th century, the genre gained momentous value only with the works of José Martí and primarily his collection of poems entitled Ismaelillo (1882), besides other poems and short stories published in the magazine La edad de oro (1889).

Literature for children and young people continued to be written in the first half of the 20th century. To this period belong Dulce María Borrero and her Cantos escolares, Emilio Bacardí Moreu with Cuentos de todas las noches (published posthumously in 1950), René Potts with Romancero de la maestrilla (1936) and Emma Pérez Téllez with Niña y el viento de mañana (1938) and Isla con sol (1945). However, the most prominence was achieved by Hilda Perera Soto with Cuentos de Apolo (1947), a central work within children’s literature in Cuba.

The 1940s also saw Raúl Ferrer and his Romancillo de las cosas negras y otras poemas. Dora Alonso became known in the 1950s, especially with the play Pelusín del Monte, named after the main character, a puppet that went on to become a national icon.

Two important authors appeared in the 1970s: Renee Méndez Capote, who wrote Memorias de una cubanita que nació con el siglo (1963), and Herminio Almendros with Otros viejos (1965) and Había una vez (1968).

Two paradigmatic books published in 1974 were Juegos y otros poemas by Mirta Aguirre and Caballito Blanco (short stories) by Onelio Jorge Cardoso. Afterward, other essential works were published, such as Por el mar de las Antillas anda un barco de papel (1978) by Nicolás Guillén, Palomar (1979) by Dora Alonso, El libro de Gabriela (1985) by Adolfo Martí Fuentes, Rueda la ronda (1985) by David Chericián, Soñar despierto (1988) by Eliseo Diego and La noche (1989) by Excilia Saldaña.

At present, Cuban children’s literature has broadened and includes many others, such as Antonio Orlando Rodríguez, José Manuel Espino, Aramís Quintero, Ivette Vian, Enid Vian, Emilio de Armas, Deysi Valls, Joel Franz Rosell, Julia Calzadilla, Julio M. Llanes, Freddy Artiles, Enrique Pérez Díaz, Alfonso Silva Lee, Luis Cabrera Delgado, René Fernández Santana, Emma Romeu, Nelson Simón, Ramón Luis Herrera, Froilán Escobar, Esther Suárez, José Antonio Gutiérrez Caballero, Omar Felipe Mauri, Niurki Pérez García, Mildre Hernández Barrios, Nersys Felipe, Luis Rafael Hernández, Teresa Cárdenas Angulo, Luis Caissés and Magali Sánchez.

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