The Cuban American National Foundation (CANF) is a Cuban exile organization. Established in Florida in 1981 by Jorge Mas Canosa and Raul Masvidal, CANF is an organization with numerous members in the United States and other countries. Following the death of its founder in 1997, CANF began to lose its ideological cohesion provided by Mas Canosa, which led a substantial segment of its membership to split and form the Cuban Liberty Council in 2001.
CANF used to be a strong advocate for isolation of Cuba by the USA but in April 2009 they published an article calling for lifting US restrictions on aid and travel to Cuba, and aiding civil society groups there. The shift might promote a new phase in the USA-Cuba relations
CANF has offices in Miami, Washington, D.C. and New Jersey and chapters in Los Angeles, the greater New York area, Chicago, several cities in Florida, Puerto Rico, New Orleans, and Texas.
For two decades CANF has worked to create a consensus on U.S. policy that is opposed to the current Cuban government. Between 1990 and 1992, it received a quarter million dollars from the National Endowment for Democracy, an organization financed by the US government.
CANF also operates the radio station La Voz de la Fundación which it attempts to transmit to Cuba and led the effort to establish the U.S. Information Agency's Radio Martí (1985) and TV Martí (1990). Radio Martí and TV Martí are official U.S. broadcasting operations directed to the Cuban people.
Read more about Cuban American National Foundation: Controversy
Famous quotes containing the words cuban, american, national and/or foundation:
“Because a person is born the subject of a given state, you deny the sovereignty of the people? How about the child of Cuban slaves who is born a slave, is that an argument for slavery? The one is a fact as well as the other. Why then, if you use legal arguments in the one case, you don’t in the other?”
—Franz Grillparzer (1791–1872)
“We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.”
—Martha Graham (1894–1991)
“Prestige is the shadow of money and power. Where these are, there it is. Like the national market for soap or automobiles and the enlarged arena of federal power, the national cash-in area for prestige has grown, slowly being consolidated into a truly national system.”
—C. Wright Mills (1916–1962)
“What is the foundation of that interest all men feel in Greek history, letters, art and poetry, in all its periods from the Heroic and Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period.”
—Ralph Waldo Emerson (1803–1882)