Production
Law & Order: Criminal Intent was renewed a second season in May 2002 and production began in Summer 2002. Show runner/executive producer René Balcer became head writer this season, writing every episode of the season.
Peter Jankowski was pushed up to executive producer this season, last season Jankowski was a co-executive producer. Co-executive producers this season were; Fred Berner, Arthur W. Forney, and Theresa Rebeck with John L. Roman and Michael Kewley serving as producers. Supervising producers were Roz Weinman and Marlane Gomard Meyer. Original Law & Order writer and co-executive producer at the time, Michael S. Chernuchin was consulting producer and Tim DeLuca as associate producer. Mary Rae Thewlis became co-producer starting with the 6th episode, "Malignant". Warren Leight, who later became co-executive producer and then show runner/executive producer, began as a producer with the 10th episode, "Con-Text". Balcer hired Leight from a recommendation by co-executive producer, Theresa Rebeck.
Read more about this topic: Cuba Libre (Law & Order: Criminal Intent)
Famous quotes containing the word production:
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)