Production
“CTC Media” has created an in-house production and proprietary program rights management function through the recent acquisitions of two production companies, “Costafilm” and “Soho–Media”.
Costafilm specializes exclusively on programming for “CTC”. “Costafilm” provides ““CTC” with dramatic programs, sketch shows, TV films and sitcoms. Among its products are the original long-running series Cadets and the first original Russian sitcom “Daddy’s Daughters” “(Russian: Папины дочки)”, both among ““CTC”’s most successful recent programs. It is a comedy about a single father and his five daughters. “Cadets” is an original Russian series about a daily life of boys enrolled in a military school. On many projects “Costafilm” works in cooperation with the premier TV content producers such as “Sony Pictures Entertainment”, “Buena Vista”, and “FremantleMedia”.
“Soho–Media” has been operating on the Russian TV market for over fifteen years. It specializes in the production of entertainment TV shows, such as the highly popular “Minute of Fame” and “The Great Race”. For the past five years “Soho–Media” worked in close cooperation with “FremantleMedia”. For “CTC” television network “Soho–Media” adapted “Just Kidding Me” which is hosted by Russian pop star “Glukoza” and produced the original Russian talent search show similar to “American Idol”.
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Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)