Crown of Stars
The crown of stars, representing immortality, may derive from the story of Ariadne, especially as told by Ovid, in which the unhappy Ariadne is turned into a constellation of stars, the Corona Borealis (Crown of the North), modelled on a jewelled crown she wore, and thus becoming immortal. In Titian's Bacchus and Ariadne (1520–23, National Gallery, London), the constellation is shown above Ariadne's head as a circle of eight stars (though Ovid specifies nine), very similar to what would become the standard depiction of the motif. Although the crown was probably depicted in classical art, and is described in several literary sources, no classical visual depictions have survived. The Titian therefore appears to be the earliest such representation to survive, and it was also at this period that illustrations in prints of the Apocalypse by artists such as Dürer and Jean Duvet were receiving very wide circulation.
In Ariadne, Venus and Bacchus, by Tintoretto (1576, Doge's Palace, Venice), a flying Venus crowns Ariadne with a circle of stars, and many similar compositions exist, such as the ceiling of the Egyptian Hall at Boughton House of 1695.
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Famous quotes containing the words crown and/or stars:
“Give me simplicity, that I may live,
So live and like, that I may know Thy ways,
Know them and practise them: then shall I give
For this poor wreath, give Thee a crown of praise.”
—George Herbert (15931633)
“The bay-trees in our country are all withered,
And meteors fright the fixèd stars of heaven.
The pale-faced moon looks bloody on the earth,
And lean-looked prophets whisper fearful change.
Rich men look sad, and ruffians dance and leap;
The one in fear to lose what they enjoy,
The other to enjoy by rage and war.
These signs forerun the death or fall of kings.”
—William Shakespeare (15641616)