Crown of Stars
The crown of stars, representing immortality, may derive from the story of Ariadne, especially as told by Ovid, in which the unhappy Ariadne is turned into a constellation of stars, the Corona Borealis (Crown of the North), modelled on a jewelled crown she wore, and thus becoming immortal. In Titian's Bacchus and Ariadne (1520–23, National Gallery, London), the constellation is shown above Ariadne's head as a circle of eight stars (though Ovid specifies nine), very similar to what would become the standard depiction of the motif. Although the crown was probably depicted in classical art, and is described in several literary sources, no classical visual depictions have survived. The Titian therefore appears to be the earliest such representation to survive, and it was also at this period that illustrations in prints of the Apocalypse by artists such as Dürer and Jean Duvet were receiving very wide circulation.
In Ariadne, Venus and Bacchus, by Tintoretto (1576, Doge's Palace, Venice), a flying Venus crowns Ariadne with a circle of stars, and many similar compositions exist, such as the ceiling of the Egyptian Hall at Boughton House of 1695.
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Famous quotes containing the words crown and/or stars:
“So much of the trouble is because I am a woman. To me it seems a very terrible thing to be a woman. There is one crown which perhaps is worth it all—a great love, a quiet home, and children. We all know that is all that is worthwhile, and yet we must peg away, showing off our wares on the market if we have money, or manufacturing careers for ourselves if we haven’t.”
—Ruth Benedict (1887–1948)
“It is when we try to grapple with another man’s intimate need that we perceive how incomprehensible, wavering, and misty are the beings that share with us the sight of the stars and the warmth of the sun.”
—Joseph Conrad (1857–1924)