Crossover Thrash - History

History

Crossover thrash evolved when performers in metal began borrowing elements of hardcore punk's music. Void and their 1982 Split LP with fellow D.C. band The Faith are hailed as one of the earliest examples of hardcore/heavy metal crossover and their chaotic musical approach is often cited as particularly influential. Punk-based metal bands generally evolved into the genre by developing more musical technique than the average hardcore outfit, and getting bored with the musical limitations of "pure" hardcore (which focused on very fast tempos and very brief songs). Especially early on, crossover thrash had a strong affinity with skate punk, but gradually became more and more the province of metal audiences. The scene gestated at a Berkeley club called Ruthie's, in 1984. The term "metalcore" was originally used to refer to these crossover groups.

As Steven Blush says,

It was natural. The most intense music, after Black Flag and Dead Kennedys, was Slayer and Metallica. Therefore, that's where everybody was going. That turned into a culture war, basically. And the people who were on the alt-rock, indie-rock side won, and the people who were crossover kind of got destroyed.

Hardcore punk groups Corrosion of Conformity, Dirty Rotten Imbeciles and Suicidal Tendencies played alongside thrash metal groups like Megadeth, Anthrax, Metallica and Slayer. This scene influenced the skinhead wing of New York hardcore, which began in 1984, and included groups such as Cro-Mags, Beastie Boys, Murphy's Law, Agnostic Front, and Warzone. Other prominent crossover thrash groups include Nuclear Assault, Short Sharp Shock (SSS), Stormtroopers of Death, Cryptic Slaughter, SSD, DYS, Gwar, Septic Death, Hogan's Heroes, Electro Hippies,The Boneless Ones, The Exploited, and Discharge.

Read more about this topic:  Crossover Thrash

Famous quotes containing the word history:

    Revolutions are the periods of history when individuals count most.
    Norman Mailer (b. 1923)

    Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
    Johan Huizinga (1872–1945)

    One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.
    Jonathan Raban (b. 1942)