Croatian Architecture - Renaissance

Renaissance

In 15th century, Croatia was divided between three states – northern Croatia was a part of Austrian Empire, Dalmatia was under the rule of Venetian Republic (with exception of Dubrovnik) and Slavonia was under Ottoman occupation. Dalmatia was on the periphery of several influences, just as far from Italy as from Ottomans in Bosnia and Austrians in the north, so it thrived from all. In those circumstances in Dalmatia flourished religious and public architecture with clear influence of Italian renaissance, but still original.

Only in the kind of environment, free of dogmas and self-governed - far of major governing centers, could it be possible for artisan known as Giorgio da Sebenico (Juraj Dalmatinac) to build a church entirely by his own project – Cathedral of St.James in Šibenik, in 1441. Besides mixing of gothic and renaissance style it was also original by unity of stone building and montage construction (big stone blocks, pilasters and ribs were bounded with joints and slots on them - without concrete) in the way that was usual in wooden constructions. This was unique building with so-called three-leaves frontal and half-barrel vaults, first in Europe. The cathedral and its original stone dome was finished by Nikola Firentinac following the original plans of Juraj.

In the entire area of Republic of Ragusa there were numerous villas of nobility, unique by their functionality and space organization - combination of renaissance villa and government building. Sorkočević's villa in Lapad near Dubrovnik in 1521 is original by order of building parts in asymmetrical, dynamical balance.

In northwestern Croatia, the beginning of the wars with the Ottoman Empire caused many problems but in the long term it both reinforced the northern influence (by having the Austrians as the rulers). With permanent danger by Ottomans from east, there was modest influence of renaissance, while fortifications thrived. The plan for fortified city of Karlovac in 1579 was first entirely new urban city to be built by renaissance plans (so called "ideal city" plan) in Europe. It was built in radial plan, later common in Baroque. Renaissance fort of Ratkay family in Veliki Tabor from 16th century has mixed features of gothic architecture (high roofs) and renaissance (cluster and round towers) making it an example of mannerism.

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