Critical Art Ensemble - Works and Views

Works and Views

The collective has written 6 books, and its writings have been translated into 18 languages. Its book projects include: The Electronic Disturbance (1994), Electronic Civil Disobedience & Other Unpopular Ideas (1996), Flesh Machine: Cyborgs, Designer Babies, & New Eugenic Consciousness (1998), Digital Resistance: Explorations in Tactical Media (2001), Molecular Invasion (2002), and Marching Plague (2006).

CAE is noted for having written the article Nomadic Power and Cultural Resistance, in which CAE argues that with the creation of the internet the power of the elite has become mobile to the extent that it is difficult for a dissident to directly confront the authority, comparing the untrackable, elusive mobility to that of the Scythians. They demolished the idea that power cannot corrupt and co-opt network and hypertext technologies, that such technologies have a predetermined and manifest destiny of freedom. CAE goes on to observe that occupation theory itself is challenged by cyberspace and the difficulties it presents in terms of focusing a group effort against one authority as opposed to a singular hacker, fiddling with code. An important distinction is made that when rebellious acts are carried out by an individual as opposed to a group in singularity, that the dissenter is seen as a vandal instead of a protester. The article mentions that resistance in the form posters, pamphleteering, street theater and public art have been useful in the past but now that the public is electronically engaged one must bring their resistance methods online.

In correlation to the CAE's work "Molecular Invasion (2002)" they hosted an exhibit about genetically modified crops. They planted Monsanto's genetically modified seeds that were designed to be immune to Monsanto's commercial pesticide roundup (Glyphosate). They successfully grew these crops in their exhibit however once the plants were fully grown they applied an enzyme inhibitor that was reverse engineered to the plants that eradicated the protection that these crops had against the pesticide. The plants quickly died. This exhibit was a statement against genetically modified foods.