Songs
Skiba on "Sadie":
That song was actually the first song that we wrote for Crimson. We were still touring on our previous record and I wrote it just on tour. We started playing it at soundcheck and we had planned to do this split with One Man Army on BYO. That’s where that song came from originally. But we knew even then that we were probably wanting to re-record it and putting it on an album, which it was on Crimson later. So yeah, I think that came from knowing that we were starting to write a new record and wanting to take a different approach. As I said before, you don’t ever want to write the same record twice. So yeah, I think it was just a fresh start and it just had a different kind of feel and sort of set the tone for Crimson, not that there is other songs like it on the record. But it’s definitely a good thing to get the ball rolling.
Andriano on "Smoke":
It's the last song on the record. I actually wrote that song like two years ago. I knew I liked certain aspects of the song, and those were basically the aspects of the song that made it to the final version. For the two years before we recorded it, I had been kind of toiling over this. It was kind of the bane of my writing existence. It scared me, because I knew I liked parts of it but was really unhappy with other parts. I couldn't make the vibe work. There was a time when that song was really soft, actually. I tried to make it like a loud, mid-tempo rock number, but nothing really worked. That was one that we spent a lot of time on actually, making that groove that we wanted that's there now, almost a ballad kind of song. It gave us a lot of time to think about cool effects, effects we could use on the chorus and string parts that are in the song.
Read more about this topic: Crimson (Alkaline Trio album)
Famous quotes containing the word songs:
“Heaven has a Sea of Glass on which angels go sliding every afternoon. There are many golden streets, but the principal thoroughfares are Amen Street and Hallelujah Avenue, which intersect in front of the Throne. These streets play tunes when walked on, and all shoes have songs in them.”
—For the State of Florida, U.S. public relief program (1935-1943)
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)