Creepy - Editors and Artists

Editors and Artists

A variety of editors continued to manage Creepy after Goodwin's second departure, including Billy Graham and J. R. Cochran. William Dubay, who had started at Warren as an artist with issue 32 in 1970 would become editor of the magazine for issues 50 through 78, except for a short period of time in 1974 where Goodwin returned for issues 61 through 64. During this period the frequency of Creepy and Warren's other magazines was upped to nine issues per year.

Another major development occurred in late 1971 when artists from the Barcelona Studio of Spanish agency Selecciones Illustrada started appearing in Creepy and other Warren magazines. Artists from Spain would go on to dominate Creepy and the other Warren magazines throughout the 1970s. These artists included Esteban Maroto, Jaime Brocal, Rafael Aura León, Martin Salvador, Luis García, Fernando Fernández, José González, José Bea, Isidro Monés, Sanjulián, and Enrich Torres. Additional artists from S.I.'s Valencia Studio joined Warren in 1974 including José Ortiz, Luis Bermejo, and Leopold Sánchez. Notable writers during Dubay's era as editor included Gerry Boudreau, Budd Lewis, Jim Stenstrum, Steve Skeates and Doug Moench.

Themed specials dominated Dubay's era as editor, and included two Edgar Allan Poe issues (69 and 70), three Christmas issues (59, 68 and 77), three issues dedicated to a single artist (71, 72 and 74), a science fiction issue (73) and an issue where every story was based on the cover painting (64). This era also featured stories that were printed in color, many of which were done by Richard Corben. Towards the end of his period as editor, many artists from Creepy's first golden era returned, including Alex Toth and John Severin.

Dubay resigned after issue 78 and was replaced by Louise Jones, his former assistant. Jones would edit the magazine until issue 116 in March 1980. Former DC Comics publisher Carmine Infantino joined Warren shortly after she became editor and did pencils for over 50 stories. Much like the wave of Spanish artists that dominated Creepy throughout the mid-1970s, a number of artists from the Philippines joined Warren during her period as editor, including Alex Niño, Alfredo Alcala and Rudy Nebres, remaining with Creepy until its end in 1983. While he had resigned as editor, Dubay remained with Warren and became their dominant writer during this period. Other dominant writers during this period included Bruce Jones, Bob Toomey and Roger McKenzie.

After Louise Jones resigned as editor following issue 116, Dubay returned to edit the magazine using the alias "Will Richardson" until issue 126. After Dubay's departure, various editors including Chris Adames and Timothy Moriarty held the position. Reprints once again began in the magazine with many reprint issues being dedicated to a single artist. Warren's last Creepy (#145) was published February 1983, and then he went bankrupt. Harris Publications bought rights after Warren's bankruptcy and published a single issue (#146) in 1985.

In 2000, after a protracted legal dispute with Harris Publications, Jim Warren and Warren Publishing finally regained sole ownership of all rights to his two iconic and flagship comic book franchises Creepy and Eerie.