Creatures of Impulse - Critical Reception

Critical Reception

Reviews for the play were generally favourable, but it was criticised for its loose structure and lack of a substantial plot. Bell's Life in London and Sporting Chronicle opined: "Amusing, simple, and ingenious, 'Creatures of Impulse' is another, though a slight, addition to the successes of its author". The London Echo compared the piece to a "burletta of the stamp that was in vogue a hundred years ago, resembling Midas, perhaps, more nearly than that of any modern burlesque", and wrote that it "contains pretty music, and smart if not witty dialogue, a semi-moral and a semi-plot". The Graphic concluded that "Although it occupies only an hour in performance, the story is well told and the piece is exceedingly amusing" and praised the acting. Righton received special praise for his portrayal of Boomblehardt: "No character on stage perhaps ever made audiences laugh more in so short a time". In an 1882 assessment of the piece for amateur theatre societies, M. E. James noted that "The singing is a great addition. It is altogether an amusing bit of nonsense, and very original".

The Times review was less positive than most, saying that although the play was good, more was expected of Gilbert:

As noblesse oblige, so does great success become liable to a certain penalty. Had the little piece we have just described been the work of some unknown hand we might have accepted it as an agreeable trifle, displaying more than common ingenuity in its invention, and, with the aid of picturesque costumes, lively setting, and a pretty decoration, gracefully concluding the evening's entertainment, although overweighted with a quantity of extremely undramatic music. But with the remembrance of The Palace of Truth fresh in our minds, we cannot help a feeling of disappointment when we find the author of that really poetical work coming forward as the writer of another "fairy tale," so immeasurably inferior.... he fairy only enchants her victims to disenchant them at pleasure, without arriving at any result, and we have a good foundation with scarcely any superstructure whatsoever.