Crazy Daisy Nightclub - The Human League Story

The Human League Story

The club is principally known in UK/US pop history and worldwide as the 'birthplace' of the 'Mark Two' (commercially successful) version of the pop group The Human League.

Where, in October 1980 during a visit to the Crazy Daisy. Almost as an allegory of the Cinderella story, Philip Oakey (lead singer of the group), randomly spotted and recruited two totally unknown school girls, Joanne Catherall and Susan Ann Sulley, into the group after the original members had walked out on the eve of an international tour. With no auditions or rehearsals, Sulley and Catherall were taken out of school to go on the tour with just 4 days notice. The new group lineup then rose rapidly to international prominence and enormous commercial success in the early and mid 1980s making internationally famous popstars of both girls.

The Human League continues recording and touring internationally to this day, 30 years later, still complete with Sulley and Catherall now in their mid-forties.

Read more about this topic:  Crazy Daisy Nightclub

Famous quotes containing the words the human, human, league and/or story:

    Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.
    Matthew Arnold (1822–1888)

    The studio has become the crucible where human genius at the apogee of its development brings back to question not only that which is, but creates anew a fantastic and conventional nature which our weak minds, impotent to harmonize it with existing things, adopt by preference, because the miserable work is our own.
    Eugène Delacroix (1798–1863)

    Half a league, half a league,
    Half a league onward,
    All in the valley of Death
    Rode the six hundred.
    “Forward the Light Brigade!
    Alfred Tennyson (1809–1892)

    The child ... stands upon a place apart, a little spectator of the world, before whom men and women come and go, events fall out, years open their slow story and are noted or let go as his mood chances to serve them. The play touches him not. He but looks on, thinks his own thought, and turns away, not even expecting his cue to enter the plot and speak. He waits,—he knows not for what.
    Woodrow Wilson (1856–1924)