Cranford (TV Series) - Broadcast and Reception

Broadcast and Reception

Nancy Banks-Smith of The Guardian said the series "will see you through beautifully until Christmas. Elizabeth Gaskell's perfect little classic, beautifully and minutely observed, has been beefed up with two more stories . . . However, as the extra stories are also by Mrs Gaskell, they transplant pretty naturally ... It has a simply stunning performance from Eileen Atkins . . . The power of her performance is all the more remarkable considering the company she keeps."

Andrew Billen of The Times stated, "The cast was so strong it was almost distracting. But, as in any great ensemble, when the individuals came together nothing jarred ... This adaptation added up to even more than the sum of its considerable parts."

James Walton of The Daily Telegraph observed, "Heidi Thomas’s script subtly brought out a more hidden element of Cranford life: that these people are simultaneously proud and ashamed of their provincial status. She also manages the Mrs Gaskell trick of making the town itself the main character ... he result (and of course I mean this as a compliment) sharply recalls another TV portrait of life in a town near Manchester. Admittedly, Cranford features more Annie Walkers and fewer Elsie Tanners than early Coronation Street. Otherwise, the power of the matriarchs, the centrality of gossip and – when the chips are down – the touching sense of community, are all winningly similar. So too is the ability to subject the characters to clear-eyed scrutiny, while still retaining an obvious affection for them."

In the UK, the first episode was watched by 8.43 million viewers and ranked #6 for the week, outperforming ITV1's usually dominant I'm A Celebrity...Get Me Out of Here!. By the final episode viewership had dropped to 7.26 million, although the programme remained in the top ten.

Read more about this topic:  Cranford (TV Series)

Famous quotes containing the words broadcast and/or reception:

    Radio news is bearable. This is due to the fact that while the news is being broadcast the disc jockey is not allowed to talk.
    Fran Lebowitz (b. 1951)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)