Craig Rousseau - Early Career

Early Career

Growing up Craig Rousseau never saw comic books as a viable career option, instead wanting to explore a career as a commercial artist. "(I) wasn't planning on doing comics for a living. I grew up reading comics with a few of my good friends and never outgrew them. I always wanted to get into the art field and my parents were very supportive of that."

Rousseau began in comics in the mid-1990s while he was graduating from college with a double major in Painting/Illustration. His initial plan was to do freelance illustration and not comics, however he was hired to work at Marvel's Creative Service Department designing POGS and children's books and soon began illustrating comic books.

Rousseau's influences are varied. In a 1998 interview he stated, "There are lots of guys whose work I like and try to take something from and use it in my own way - Art Adams, Mike Mignola, Walt Simonson, Teddy Kristianson, Mike Weiringo, and lots more." He has also drawn from non-comic book artists and has cited artists such as Norman Rockwell, NC Wyeth, Aubrey Beardsley, Egon Schiele and Mucha as being strong influences on his work.

Read more about this topic:  Craig Rousseau

Famous quotes containing the words early and/or career:

    “next to of course god america i
    love you land of the pilgrims” and so forth oh
    say can you see by the dawn’s early my
    country ‘tis of centuries come and go
    and are no more what of it we should worry
    in every language even deafanddumb
    thy sons acclaim your glorious name by gorry
    by jing by gee by gosh by gum
    —E.E. (Edward Estlin)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)